Like a Girl: Perspectives on Feminine Identity

Art and Poetry Anthologies, Available Now, Daniel McGinn, Esmeralda Villalobos, JL Martindale, Kelsey Bryan-Zwick, Nancy Lynée Woo, Raquel Reyes-Lopez, Sarah Thursday, Terry Ann Wright

From our sister press, Lucid Moose Lit, Like a Girl: Perspectives on Feminine Identity is a 184-page anthology of poetry, prose, and art with over 90 contributors that honor a multiplicity of feminine identities and spark conversation about women’s issues. Edited by Nancy Lynée Woo, Sarah Thursday, and Terry Ann Wright. Available through Sadie Girl Press Bookstore and MADE by Millworks in Long Beach.

 

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Fernando Gallegos

Individual Authors and Artists

FernandoGallegosFernando Gallegos is a Long Beach artist born and raised. He is heavily inspired by the human form and always searching to evoke the feeling of movement and emotion. He loves the power of the brain, to take a simple stroke of color on paper and piece it together to an image with depth and feeling. He has illustrated many projects for Sadie Girl Press including the entire yearbook sections of Cadence Collective Anthology: Year One and Year Two, the cover of The Unnamed Algorithm, the cover and illustrations for bar napkins for beginners and The Language I Was Broken In: a Sadie Girl Press Sampler. He has also contributed art and poetry to our sister press, Lucid Moose Lit, in the anthologies Gutters & Alleyways: Perspectives on Poverty and StruggleLike A Girl: The Pre-Show! (as cover artist), Like a Girl: Perspectives on Feminine Identity and Then & Now:Conversations with Old Friends. Find more info and keep updated at: facebook\fernando.gallegos.lbc and instagram\@fgraphix.

Terry Ann Wright

Individual Authors and Artists, Terry Ann Wright

terry-wright-bio-pic-e1420446209702-834x1024Terry Ann Wright recently received her master’s degree from Goddard College, a progressive school that emphasizes community activism and democratic education. She has written and published poetry exclusively for the last fifteen years, receiving two nominations for the Pushcart Prize in the process. She spends her days ridding the world of comma splices, and nights planning food-based road trips and sometimes writing. Her poetry has appeared most recently in the journals Carnival, East Jasmine ReviewCadence Collective, and in the anthologies Cadence Collective: Year One and Year Two, Gutters & Alleyways: Perspectives on Poverty and StruggleLike A Girl: The Pre-Show!, Like a Girl: Perspectives on Feminine Identityand Then & Now:Conversations with Old FriendsHer first chapbook, Nature Studies, is available from Sadie Girl Press.

Kelsey Bryan-Zwick

Individual Authors and Artists, Kelsey Bryan-Zwick
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Photo by Tatum Christine

Kelsey Bryan-Zwick is a poet, a bookbinder, and an artist from Long Beach, CA. As a child she lived in Spain where she fell in love with the smell of fresh bread, green olives, and learned to speak Spanish. At UCSC she received a B.A. in Literature/Creative Writing-Poetry. Kelsey participated in Write Bloody Publishing’s Dirty Dozen Workshop and is a recent Pushcart Prize nominee. Her poems appear in A Poet Is A Poet, No Matter How Tall: EPISODE II Attack of the Poems, East Jasmine Review, Like a Girl: The Pre-Show! and Like a Girl: Perspectives on Feminine Identity and Development, The Camel Saloon, and both Cadence Collective Anthology: Year One and Year Twoand Then & Now: Conversations with Old Friends. Kelsey’s first chapbook, Watches Synchronized To Awestruck, is hand-bound by the poet. Her second chapbook, Watermarked, is available from Sade Girl Press. Read samples of her work on Cadence Collective.